Interwar science fiction and modern culture

Interwar science fiction and modern culture

I started my research on science fiction in the early 20th century in China, Japan and the Soviet Union because I was interested in why their stories were so different. How do we explain this difference of attitude towards the future?
I am the Handa Chair of Japanese-Chinese Relations at the University of Edinburgh and a modern historian of China and Japan. I also work in modern literature. I am a 2014 Philip Leverhulme Prize Winner.
About Aaron William Moore