The secrets of Renaissance cosmetics

The secrets of Renaissance cosmetics

When you reconstruct anything from a recipe in the past, you have to understand that much has changed, so the ingredients that we use, our bodies, our understanding of our relationship with the world is completely different to that of a person in the 16th century.
I am Professor of Renaissance Visual and Material Cultures at the University of Edinburgh. I am a cultural and art historian, and occasional curator, with a research focus on Renaissance Italy. I'm interested in how human bodies (and the ways individuals think about, represent and modify their own and others' bodies) are affected by large-scale historical change. I am a 2008 Philip Leverhulme Prize Winner.
About Jill Burke